Or maybe a small circular retainer that only captures the middle two strings - it wouldn't look as important and is more commonplace. Moving the headstock like that probably increase the volume of wood spent per neck or something, maybe that would make it more expensive. If you're re-designing the neck carvs, maybe making the headstock plane a few milimeters further then the plane of the strings - if you see what I mean - and dropping the retainer would be marked as an improvement. It is good to have it there, it improves the bass, but it looks as if the bass is accepting it's flaw. Until that happens I'd go with vol/vol or maybe even vol/balance yes, it lessens the high content but is a more appealing control layout that feels natural to everyone.Īlso Sheldon, many people didn't like the string retainer. If you had an offshore SuperJ this wouldn't be a concern because that'd definitely be the gateway drug bass. Er arbeitete an vier Alben der Band und tourte mit anderen Big. As for volume/volume vs 4 pos selector, vol/vol is what more people are used to and this is in part a gateway-drug bass to a more heavy Dingwall addiction so making it more appealing is a good thing. Nach seinem Studium am BIMM Institute Bristol und nach der Trennung von der Band Red Seas Fire war Adam bis 2017 als Multiinstrumentalist der Progressive-Metal-Band Periphery erfolgreich.
#DINGWALL COMBUSTION 4 SERIES#
But a P pickup coupled with a series wired FD-3A makes sense. People who specifically want a four string long scale while a perfectly good five string available are mostly 4 string purists, not a leap of faith there, so give them what they want.Īs for pickups, I wish I could help. 19mm or 20mm would be perfect on a 4 string. Finden Sie Top-Angebote für Dingwall Combustion (4 String), 2-Tone Blackburst mit Ahorn Griffbrett bei eBay.
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